I honestly think that is the secret sauce that you are looking for. I honestly did add another dimension to my images.

I tried my hand at the TAKING LENS( Lens attached directly to the camera ) and ANAMORPHIC Lens( Attached to the front of the Taking lens) combo craze from many years ago. Kodak 2383 Print Film Film, selected in the Film group, is printed onto Kodak Vision Color Print. There is a free 7-day trial, including for users whove tried previous versions.

You're welcome! I think as you already know that most of the Character of the video link to above came from The Arri Alexa Mini, and I think More so, from the Atlas Anamorphic Lens. Its compatible with DaVinci Resolve Studio 17 and later and boasts native support for Davinci Wide Gamut, ACES, RED IPP2, Arri LogC, and film scans. So I'm trying to achieve this kind of look and grade.Khurum, So this was shot on Alexa mini with Atlas Orion lenses. I think this is a better example of a visual look I'm after Agree with the points you mentioned but still missing the actual look and feel of it being cinematic. Thanks for sending the examples and giving it a go. Three easy methods for setting up DaVinci Resolve to colour grade RED's new image processing pipeline (IPP2) without sacrificing dynamic range.To evolve this.

I usually have it setup the way you mentioned but the JPG I sent you I just put an Rec 709 Medium contract and soft highlights out on it. 454 Infrared Fantasy LUTs Photography Presets Lightroom Photoshop Adobe After Effects Adobe Premiere LumaFusion VideoLut Instagram feed.

Red luts for davinci resolve ipp2